Displaying items by tag: no country for old men

The final passage, describing a character’s dreams about his father, from Cormac McCarthy’s “No Country For Old Men.” The acclaimed book was developed into a screenplay that ultimately won an Oscar for best picture. Thomas Fraser/Hellbender Press

‘A malign star kept him:’ McCarthy offered a fever-dream toast to Knoxville’s frontier river town roots

KNOXVILLE — Cormac McCarthy, the onetime Knoxvillian who rose from obscurity to the heights of fame by penning some of the most violent works in the Western literary canon, died Tuesday, June 13 at his home in New Mexico. 

McCarthy was considered by some critics to be America’s greatest living author. He won the Pulitzer Prize for his 2007 novel “The Road.” Another novel, “All The Pretty Horses,” won the National Book Award in 1992 and a movie made from his book “No Country For Old Men” won the 2008 Academy Award for Best Picture.

The novelist studied at the University of Tennessee and became an infamous recluse who lived at points in a dairy barn and an RV. He rarely gave interviews, and was known to prefer the company of scientists to that of other writers.

McCarthy admired the works of Herman Melville, Fyodor Dostoevsky and William Faulkner, and he is the only Knoxvillian to win the Pulitzer Prize for fiction other than James Agee. His work was often divisive, however, as his relentlessly masculine and unsentimental outlook led him to plumb the depths of human desperation and depravity through characters such as cannibals, necrophiliacs and mass murderers.

His literary vision focused on humankind’s cosmic insignificance by pitting rough-hewn men against primordial nature on a succession of vividly realized stages carved from history and myth. Faulkner might have said the only thing worth writing about is the human heart in conflict with itself, but McCarthy opined that serious authors should focus on the struggle of life against death. 

According to Knoxville historian Jack Neely, McCarthy drew heavily from his surroundings, especially in the vivid depictions of Knoxville contained in “Suttree.”

“The descriptions of Market Square, in both “Suttree” and his first novel, “The Orchard Keeper,” are dense, accurate, unsparing and poetic,” Neely said. “I quoted them in my Market Square book, and a passage from ‘Suttree’ is engraved in marble in the middle of the square.

“One, from Suttree, ostensibly from a day in 1951, could have described a scene I witnessed there last week: ‘He went among vendors and beggars and wild street preachers haranguing a lost world with a vigor unknown to the sane.’”

Neely also singled out another passage that comes just paragraphs later, where McCarthy describes the old Market House: “Where brick the color of dried blood rose turreted and cupolaed and crazed into the heat of the day form on form in demented accretion without precedent or counterpart in the annals of architecture.”