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Wednesday, 14 June 2023 14:42

Cormac McCarthy, a beautiful chronicler of our darkest and best hearts who drew from his Knoxville roots, dies at 89

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IMG 3112The final passage, describing a character’s dreams about his father, from Cormac McCarthy’s “No Country For Old Men.” The acclaimed book was developed into a screenplay that ultimately won an Oscar for best picture. Thomas Fraser/Hellbender Press

‘A malign star kept him:’ McCarthy offered a fever-dream toast to Knoxville’s frontier river town roots

KNOXVILLE — Cormac McCarthy, the onetime Knoxvillian who rose from obscurity to the heights of fame by penning some of the most violent works in the Western literary canon, died Tuesday, June 13 at his home in New Mexico. 

McCarthy was considered by some critics to be America’s greatest living author. He won the Pulitzer Prize for his 2007 novel “The Road.” Another novel, “All The Pretty Horses,” won the National Book Award in 1992 and a movie made from his book “No Country For Old Men” won the 2008 Academy Award for Best Picture.

The novelist studied at the University of Tennessee and became an infamous recluse who lived at points in a dairy barn and an RV. He rarely gave interviews, and was known to prefer the company of scientists to that of other writers.

McCarthy admired the works of Herman Melville, Fyodor Dostoevsky and William Faulkner, and he is the only Knoxvillian to win the Pulitzer Prize for fiction other than James Agee. His work was often divisive, however, as his relentlessly masculine and unsentimental outlook led him to plumb the depths of human desperation and depravity through characters such as cannibals, necrophiliacs and mass murderers.

His literary vision focused on humankind’s cosmic insignificance by pitting rough-hewn men against primordial nature on a succession of vividly realized stages carved from history and myth. Faulkner might have said the only thing worth writing about is the human heart in conflict with itself, but McCarthy opined that serious authors should focus on the struggle of life against death. 

According to Knoxville historian Jack Neely, McCarthy drew heavily from his surroundings, especially in the vivid depictions of Knoxville contained in “Suttree.”

“The descriptions of Market Square, in both “Suttree” and his first novel, “The Orchard Keeper,” are dense, accurate, unsparing and poetic,” Neely said. “I quoted them in my Market Square book, and a passage from ‘Suttree’ is engraved in marble in the middle of the square.

“One, from Suttree, ostensibly from a day in 1951, could have described a scene I witnessed there last week: ‘He went among vendors and beggars and wild street preachers haranguing a lost world with a vigor unknown to the sane.’”

Neely also singled out another passage that comes just paragraphs later, where McCarthy describes the old Market House: “Where brick the color of dried blood rose turreted and cupolaed and crazed into the heat of the day form on form in demented accretion without precedent or counterpart in the annals of architecture.”

McCarthy was born in 1933 in Providence, Rhode Island. He moved to Knoxville with his family in 1937 after his father got a job as a lawyer with the Tennessee Valley Authority. When the young family bought a house at 5501 Martin Mill Pike in South Knox County in 1941, it was advertised as having 10 rooms, two baths and “automatic heat” on a three-acre lot. 

He graduated from Catholic High School in 1951, attended but didn’t graduate from the University of Tennessee, and was wed to an English singer named Anne DeLisle in 1966 (his second marriage). 

His first four novels — beginning with “The Orchard Keeper” in 1965 — were set in and around Knoxville and the Great Smoky Mountains. His characters included bootleggers, a serial killer and a host of petty criminals who spent their nights brawling, whoring and on one memorable occasion even molesting watermelons. 

The couple lived in a barn just south of Knoxville for several years, but they divorced in the mid-1970s and McCarthy moved to New Mexico. The change in scenery soon impacted his work, and his 1985 book “Blood Meridian” (often touted as his masterpiece) was set in the blood-soaked deserts of the Southwestern United States in the early to mid-19th century. In 1992, he abruptly broke into the mainstream when “All the Pretty Horses,” a lyrical novel that featured brooding cowboys and a doomed romance, hit the bestseller lists and won the National Book Award. 

But McCarthy’s most enduring creation may turn out to be “The Road,” the ultraviolent tale of a father-son team who make a desperate trek to the East Coast following a nuclear apocalypse. It’s one of the most haunting tomes in American literature, and it earned him the Pulitzer in 2007.

His final two novels, “The Passenger” and “Stella Maris,” were published last year and sold over 100,000 copies in a mater of weeks, according to Publishers Weekly.

McCarthy, who won a MacArthur Fellowship (a so-called “genius grant”) in 1981, wrote all his novels on an Olivetti typewriter he bought in 1958 for only $50. The typewriter was auctioned off for more than $250,000 in 2009 and the proceeds donated to a nonprofit scientific research community in Santa Fe.

McCarthy’s childhood home burned to the ground the same year. The fire broke out only a year after local preservationists had dubbed it the most endangered historic structure in Knox County. The house was vacant at the time, and firefighters had to abandon efforts to quell the blaze due to concerns the dilapidated structure would collapse. 

He was married for a third time in 1998 and divorced in 2005. He is survived by two sons and two grandchildren.

“Cormac McCarthy changed the course of literature. For sixty years, he demonstrated an unwavering dedication to his craft, and to exploring the infinite possibilities and power of the written word,” said Nihar Malaviya, CEO of Penguin Random House, in a statement issued late Tuesday. “Millions of readers around the world embraced his characters, his mythic themes, and the intimate emotional truths he laid bare on every page, in brilliant novels that will remain both timely and timeless, for generations to come.”

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Last modified on Saturday, 17 June 2023 22:25
Published in News, Voices